The artwork Biopsyc is an audio-visual exploration between sound databases and complex visualizations. Using automatic generation processes without any kind of human interaction, a machine is established in space. This artifact, through patterns of symbolic reasoning establishes a relationship with a sterile environment and propagates its own interpretation of the world. 

SINESTESIA is an artifact that seeks to explore collaboration through the union of sound and visual sensations.
It consists of a fitment equipped with a computer and an audio system that together emit audio-visual contents. 

Through an interface, the visitors/viewers of the work in collaboration (or alone) become composers of previously created content. With a maximum capacity of 4 people, the more people interact with the installation, more possible combinations appear. 

This installation focus on the concept of speed, surface and camouflage. Approaching the art of field recording by means of an ecology of speed, an aural environment is rendered into magnetic tape on a pair of speeding handheld recorders. Here - in its electroacoustic reproduction - it virtualizes the interior of a machine of dromologic rupture of aural landscapes. 

Operating behind two opaque bodies, the contamination of both audio streams codes a flat surface of camouflage of this synthetic system.

It was supposed to be simple but silence refuses to be simply defined as a bless or a meditative state. Silence is also stress, noise, and it is chaos but I propose here the (des)individualisation of silence. We Press for Silence is a claim for silence as an act of communion.